As land marks go, a full size figure of a Guanche warrior makes a striking bus stop. The 1996 sculpture by Carmen Luis Leon harked back to a turbulent past when leaping to certain death was preferred to subserviance to the invading Spanish conquistadores. A brighter and more modern look greeted me on the fringes of Icod de Alto, where seven distinct areas of cultivation and farming were marked by tall masts close to the church.

On a baking hot day, the cool, shade and breezes of north Tenerife were the ideal way to sample a more sedate past and a pride in nature. Bridging the busier municipalities of Icod de Los Vinos, and Los Realejos, a good hourly bus service from TITSA enabled me to rise above the frantic pace of life below on the modern motorway. On this visit there were no present day walkers making the epic hike from the coast and upward to the Corona forest, and the defiant statue shared its focal point with a neglected shelter and a memorium to a hunters loyal dog. But history still seemed to bristle in the air and beckoned me on to Icod El Alto.

The main street of Icod El Alto soon revealed more declarations of pride and a strongly forged partnership with nature. A scattering of bars and cafes mingled in with more well crafted focal points of celebration. Local poet, Antonio Reyes surveyed the scene from his mounted steed, and seemed to show mutual admiration for the more recent graffiti art contribution of Sabotaje El Montaje, a well respected Tenerife filler of large solid canvases.

Neat, compact, and with plenty of community pride, Icod El Alto had surprises at every turn. A multi focus tribute to the well tended plants rode the brow of a hill, and a decorated bus stop for the hourly green public buses, all added to the pleasant distractions.

The dominant figures from all angles were still the masts, but I got the feeling there would be plenty more new touches across future seasons.